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The Ghostbusters 30th Anniversary Exhibit Is An Ectoplasmic Explosion Of Fan Art
Something strange is coming to your neighborhood. This year marks the 30th anniversary of the classic comedy romp, Ghostbusters, and to celebrate, LA-based Gallery1988 (which has been home to exhibits based on many pop culture giants, including Breaking Bad and Arrested Development) has commissioned a road show exhibit of 80 Busters-based artworks. 
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The Ghostbusters 30th Anniversary Exhibit Is An Ectoplasmic Explosion Of Fan Art

Something strange is coming to your neighborhood. This year marks the 30th anniversary of the classic comedy romp, Ghostbusters, and to celebrate, LA-based Gallery1988 (which has been home to exhibits based on many pop culture giants, including Breaking Bad and Arrested Development) has commissioned a road show exhibit of 80 Busters-based artworks. 

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The TBWA creative director talks about his collaboration with director Jonathan Glazer and breaks down his storytelling process.

A keen attention to detail, particularly unexpected details, is clear in Campbell’s work. Part of that, he says, is how his process for constructing a story always keeps an eye on the sidelines. “It’s weird,” says Campbell. “It’s like tunnel vision and peripheral vision at the same time. I know where I want to go eventually but I’m also interested in everything that’s going on at the margins. So I‘m trying to bring in things that perhaps shouldn’t matter, but I’m thinking about what that thing that shouldn’t matter has to do with where I’m going.”

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The TBWA creative director talks about his collaboration with director Jonathan Glazer and breaks down his storytelling process.

A keen attention to detail, particularly unexpected details, is clear in Campbell’s work. Part of that, he says, is how his process for constructing a story always keeps an eye on the sidelines. “It’s weird,” says Campbell. “It’s like tunnel vision and peripheral vision at the same time. I know where I want to go eventually but I’m also interested in everything that’s going on at the margins. So I‘m trying to bring in things that perhaps shouldn’t matter, but I’m thinking about what that thing that shouldn’t matter has to do with where I’m going.”

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fastcodesign:

There’s A 9-Hour Movie Of A Guy Walking Through Tokyo, And You’ll Want To Watch The Whole Thing
In Tokyo Reverse, it is Zulli who appears to be going forward, the sole exception to a citywide time inversion. In reality, though, the nine-hour French movie was made by filming Zulli as he slowly walked backward through Tokyo, then played backward to achieve its dreamy, otherworldly effect. In fact, the 28-year-old ended up taking dance class just to make sure that his movements looked natural when the film was rewound.
More> Co.Design

fastcodesign:

There’s A 9-Hour Movie Of A Guy Walking Through Tokyo, And You’ll Want To Watch The Whole Thing

In Tokyo Reverse, it is Zulli who appears to be going forward, the sole exception to a citywide time inversion. In reality, though, the nine-hour French movie was made by filming Zulli as he slowly walked backward through Tokyo, then played backward to achieve its dreamy, otherworldly effect. In fact, the 28-year-old ended up taking dance class just to make sure that his movements looked natural when the film was rewound.

More> Co.Design

A new exhibit, curated by Noah director Darren Aronofsky, brings together 50 contemporary artists to reimagine one old story. 
As Noah heads towards theatrical release March 28, religious groups along with entire countries, including Turkey, have objected to filmmaker Darren Aronofsky's re-envisioning of the world's most famous flood. But a companion art show, pegged to Paramount Pictures' $130 million spectacle, celebrates the notion that an event of biblical proportions can inspire multiple variations on a single Old Testament theme.
Read more>

A new exhibit, curated by Noah director Darren Aronofsky, brings together 50 contemporary artists to reimagine one old story.

As Noah heads towards theatrical release March 28, religious groups along with entire countries, including Turkey, have objected to filmmaker Darren Aronofsky's re-envisioning of the world's most famous flood. But a companion art show, pegged to Paramount Pictures' $130 million spectacle, celebrates the notion that an event of biblical proportions can inspire multiple variations on a single Old Testament theme.

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“I was really interested in the idea of, ‘Just when she thinks she’s out, they pull her back in.’ I figured that as long as I really serviced that idea, I felt like I could make the bulk of the Veronica Mars fans happy, and that most of the rest of the stuff would be like dessert.”

Veronica Mars creator Rob Thomas on making a good movie while keeping long-time fans happy
What did you think of the movie? Did it work?
I was really interested in the idea of, ‘Just when she thinks she’s out, they pull her back in.’ I figured that as long as I really serviced that idea, I felt like I could make the bulk of the Veronica Mars fans happy, and that most of the rest of the stuff would be like dessert.

Veronica Mars creator Rob Thomas on making a good movie while keeping long-time fans happy

What did you think of the movie? Did it work?