Everybody! Nobody! In my short documentary I Party Cup I introduce you to some of the people behind every frat boys favorite plastic cup.
The husband-and-wife duo, who have a new film, Game of Lions, premiering on Nat Geo Wild in December, talk to Co.Create about how they tell the joyous and heartbreaking stories of Africa’s big cats.
This week, the home page of the NYTimes.com featured an unusual, wonderful Op-Doc called “A Short History of the Highrise.” Billed as an “interactive documentary,” the project was a collaboration between the Times and the National Film Board of Canada.
With influences ranging from traditional documentary to video games to the tablet experience, “A Short History of the Highrise” is a digital publishing rabbit hole. A casual viewer can consume the film in a few minutes, while the obsessive can delve deep into supplemental content for hours. Fast Company caught up with the project’s Emmy Award-winning director, Katerina Cizek, to learn more about how the documentary form is being transformed in a digital age.
In preparation for the documentary’s airing, HBO and the Whole Kids Foundation entered into an agreement to fund 100 salad bars in schools across America. Whole Kids has been engaged in a long-term project to install 6,000 salad bars in public schools nationwide.
HBO will also make Weight available for free online streaming.
"The premise of the game is rooted in what’s going on today," says Jason Norcross, partner and creative director at 72andSunny. "If you look around, it seems as if our armed forces are becoming more and more filled with drones and A.I., painting the picture of ‘what if’—what if things go bad with the direction we’re heading."
The campaign for Activision’s highly anticipated Call of Duty: Black Ops 2 uses a faux documentary starring Oliver North to posit a near-future nightmare war scenario.
Syria: Songs of Defiance, a new film about the violence in Syria airing on Al Jazeera, was filmed by an undercover journalist using an iPhone, letting him get shots the Syrian government won’t allow regular TV journalists.
I got a chance to talk to two amazing filmmakers, Morgan Spurlock (Super Size Me, The Greatest Movie Ever Sold, 30 Days) and Richard Linklater (Waking Life, A Scanner Darkly, Dazed and Confused) about how they’re making films and television shows in a digital age.
“We have a much bigger stake in ownership with these kind of programs,” Morgan told me. Digital distribution is giving the creators a bigger stake in their own work.
Here’s our feature profile of Morgan Spurlock from 2011: Morgan Spurlock: I’m With The Brand
Is technological connectivity mankind’s next evolutionary step?
"We created computers as an extension of our brains, and now we’re connecting through those computers and the Internet cloud as a way of expanding them," - Tiffany Shlain, Filmmaker & Webby Awards founder
In her new documentary, Connected, which premiered at Sundance this year, Shlain sees digital connection as the next step in harnessing our collective brainpower—as long as we don’t lose our ability to relate to each other.
This is a great video.