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Holy shuffleboard! Batman is 75?
The Dark Knight’s 75th anniversary is spawning a year-long celebration. We asked some Batman notables to spill some behind-the-scenes tales from bringing the Caped Crusader to life.
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Holy shuffleboard! Batman is 75?

The Dark Knight’s 75th anniversary is spawning a year-long celebration. We asked some Batman notables to spill some behind-the-scenes tales from bringing the Caped Crusader to life.

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Graphicly, one of the early leaders in the burgeoning digital comics distribution market, today announced plans to shutter its marketplaces for iPad, iPhone, and Android and refocus its business on its digital publishing platform. In a brief, informal email, Graphicly CEO Micah Baldwin said the company sees better opportunities in helping content creators navigate the increasingly complex e-book publishing landscape.
Citing recent business results that showed Graphicly’s self-publishing platform growing at over 300% per month while the digital comics business has increasingly consolidated around rival ComiXology, Baldwin and his team decided to shift gears. “The digital content space doesn’t need another storefront,” said Baldwin. “However, creators of graphic literature need better ways to reach the market through e-books rather than apps.”
Behind A Pivot: Graphicly Closes Marketplace, Refocuses Business

Graphicly, one of the early leaders in the burgeoning digital comics distribution market, today announced plans to shutter its marketplaces for iPad, iPhone, and Android and refocus its business on its digital publishing platform. In a brief, informal email, Graphicly CEO Micah Baldwin said the company sees better opportunities in helping content creators navigate the increasingly complex e-book publishing landscape.

Citing recent business results that showed Graphicly’s self-publishing platform growing at over 300% per month while the digital comics business has increasingly consolidated around rival ComiXology, Baldwin and his team decided to shift gears. “The digital content space doesn’t need another storefront,” said Baldwin. “However, creators of graphic literature need better ways to reach the market through e-books rather than apps.”

Behind A Pivot: Graphicly Closes Marketplace, Refocuses Business


“My reaction [to the prequels] is a certain degree of weary contempt,” says Moore. “It’s gone beyond anger. It’s almost tragically comical. It’s commerce over art. I’m proud of the work I did on Watchmen, but it’s surrounded by such a toxic cloud of memories. I wish I didn’t have to go through them. I don’t even have a copy of the book in the house.”

 ALAN MOORE ON WATCHMEN’S “TOXIC CLOUD” AND CREATIVITY V. BIG BUSINESS

“My reaction [to the prequels] is a certain degree of weary contempt,” says Moore. “It’s gone beyond anger. It’s almost tragically comical. It’s commerce over art. I’m proud of the work I did on Watchmen, but it’s surrounded by such a toxic cloud of memories. I wish I didn’t have to go through them. I don’t even have a copy of the book in the house.”

ALAN MOORE ON WATCHMEN’S “TOXIC CLOUD” AND CREATIVITY V. BIG BUSINESS

DC Entertainment serves up a sneak peak at the next step in its evolution as a multimedia entertainment company, with a new brand and interactive logo that celebrate its long history of secret identities, superpowers and storytelling.

The new overarching concept embraces the DC Entertainment corporate identity—which comprises publishing, media, and merchandise. That includes the three publishing imprints—DC Comics (superheroes), Vertigo (edgier fare), and Mad Magazine (humor)—plus movies, TV shows, video games, DVDs and merchandising, most of which are distributed by Warner Bros. Thematically, the new look and feel imparts a sense of great storytelling, appeals to all ages, and is flexible across media, digital platforms, and characters.

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DC Comics Relaunch Leads To Best-Selling Comic Books Of 2011

With “Justice League”No. 1 selling 361,138 copies, it’s on top during a year of growth for the comic book industry. DC Comics copublishers Dan DiDio and Jim Lee talked to Fast Company about what was then considered a risky relaunch.

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The notoriously reclusive Alan Moore talks with us about Harvey Pekar’s influence, quantum physics, Frank Miller’s rant, why he usually avoids the Internet, and his unprecedented videoconference to raise Kickstarter cash for a Pekar memorial statue.

The notoriously reclusive Alan Moore talks with us about Harvey Pekar’s influence, quantum physics, Frank Miller’s rant, why he usually avoids the Internet, and his unprecedented videoconference to raise Kickstarter cash for a Pekar memorial statue.