Bill Murray has played an incredible array of characters across a career spanning 74 movies and TV shows. Peter Venkman. Ernie McCracken. Herman Blume. Garfield. Bill Murray. Bill Murray. Bill Murray.
In tribute, San Francisco’s Public Works gallery will host The Murray Affair on August 8 ($12), a one-day show that will feature as many as 200 original portraits of Bill Murray submitted from an open call of non-commissioned artists. Organizer Ezra Croft, who has, in the past, hosted a similar celebration of Nicolas Cage, cites Murray’s “awesome catalogue of greatness” as his muse for the event.
On Tuesday, a bonsai tree boldly went where no bonsai tree has gone before.
Azuma Makoto, a 38-year-old artist based in Tokyo, launched two botanical arrangements into orbit: “Shiki 1,” a Japanese white pine bonsai tree suspended from a metal frame, and an untitled arrangement of orchids, lilies, hydrangeas, and irises.
Founded and curated by Amsterdam-based writer Bas Van de Poel, the Computer Virus Catalog collects the weirdest viruses from the annals of computer history, and visualizes them as art. By pairing a computer virus with a graphic designer, Van de Poel’s project is a wonderful tribute to the history of chaos, computers and code.
More precisely, the 42-year-old designer loves her own pussy. Constructed from molds of Igarashi’s genitalia, the artist’s body of work includes a vagina lampshade, a vagina kayak, vagina smartphone cases, vagina dioramas, vagina toys, and more. But the Tokyo police don’t share Igarashi’s predilections, at least, not in an official capacity.
Can Jim Mason solve the developing world’s power problems with a temperamental machine that runs on garbage?
It is a challenge just to find the door to All Power Labs, an upstart alternative-energy concern in the industrial wastelands of far west Berkeley, California, and it’s not unusual for visitors to circle the block several times before realizing that the only way in is through a rolling gate with a small sign. Beyond that is what appears to be a scrap yard filled with old shipping containers and rusty hunks of metal. Welding torches spark and flare; walnut fragments litter the ground. And all around are iterations of APL’s main product, the Power Pallet, a contraption consisting of a large silver barrel on top of various other metal parts, all connected with pipes and hoses. It looks like something you’d use to cook meth. In reality, the Power Pallet is a small refinery, which converts biomass (nutshells, wood chips, corncobs) to hydrogen-rich gas, attached to a four-cylinder engine, which burns the gas to generate electricity. The weirdest part: It is, potentially, the most important and transformative energy product that no one has heard of.
"I tried to cast a wide net with this first batch—not just culturally and racially diverse, but pulling from history, fiction, and myth," Porath says. "Some are badass, some sociopathic, and some are just bizarre. The idea can be an umbrella for a lot of stories, and I wanted to see which ones people would react to."