The Broncos are playing for the Vince Lombardi trophy and Tebow is there. Not on the field, of course, but still. The NFL free agent and one-time wonder meme is playing for T-Mobile to spread the word about over-rated contracts. The two spots, directed by Stacy Wall, show the former Bronco/Jet/Patriot taking on all kinds of other adventures in place of an NFL playing contract.
Yep, that was the same GoldieBlox that got into a dispute with the Beastie Boys a while back. Did they get permission from Quiet Riot this time around?
Personal finances company Intuit donates ad space to girl’s toy startup GoldieBlox, the winner of the the Small Business Big Game contest.
On October 14, 2012 daredevil Felix Baumgartner stood in the doorway of a little pod floating 128,000-feet above the earth. As he stepped up to plummet downward at 800-miles per hour, with more than 8 million people watching the livestream on YouTube alone, it should come as no surprise that some of the cameras capturing the moment were GoPros.
The spot simply shows the moment Baumgartner says, “The whole world is watching. I’m coming home now,” and leaps. The commercial is joined by an online-only eight-minute version.
Former NFL-player/action movie star Terry Crews has to deal with some pretty big personalities on the ensemble cop sitcom, Brooklyn Nine-Nine. However, that experience hasn’t seemed to prepare him for the infectious enthusiasm of The Muppets.
When VW released its teaser for its upcoming Super Bowl spot, feelings were mixed. The ad involved German engineers doing their mathy best to calculate what would make a great Super Bowl ad. The engineers were funny. The rest was a collection of well-worn clichés. Would VW’s agency on this spot, Argonaut, pull out a winner following Deutsch LA’s back-to-back Super Bowl blockbusters, “The Force” and “The Bark Side”? Or were we in for a parade of tired tropes?
Thankfully, Argonaut’s debut for the German carmaker kept the engineers and ditched the rest. What we end up with is an amusing play on a classic movie, with a fun, colorful twist.
TurboTax’s Super Bowl ad certainly had its pulse on one segment of the population: The part of the audience that thinks that watching the Super Bowl is a depressing exercise in futility, and it’d be a lot more fun to do your taxes, instead. Greg Johnson, TurboTax’s Vice-President of Market, talked to us about the Wieden + Kennedy Portland campaign.
Few social causes can afford to pay millions of dollars for a Super Bowl commercial. These art students imagine what inspirational ads they’d put on the air if they could.
Social media has ushered in a new reality for marketers looking to play in the big game, and it’s allowing brands to create deeper narratives, engage fans earlier on and create greater buzz by releasing teasers and assets online before the event. It’s also sparked a debate over the merits of releasing bits of creative in advance: is this the future of Super Bowl advertising or a tactic that ruins the surprise element of TV’s (and adland’s) biggest night?
1. Because it creates (even more) buzz.
“This is the one time of the year when people want to hear from a marketer. And they’ve made it abundantly clear they want it sooner,” he says. “Why wait for a USA Today poll to tell you you’ve won when tens of millions of YouTube viewers, bloggers, tweeters, journalists and dear aunties on Facebook can say it for you—days before kickoff?”
2. Because it builds social currency.
“By engaging with and rewarding them first, we’re providing [fans] with the chance to build their social currency by being in the know and sharing the teaser and ad with their friends,” says Taco Bell’s Chief Marketing & Innovation Officer, Brian Niccol. “Prereleasing only amplifies what we are doing.”
3. Because it allows for deeper storytelling.
"We don’t set out to make a Super Bowl ad, we set out to tell a great story. We probably look at 50 different ideas for a Super Bowl spot. The criteria we use is, what’s the most original, and what’s the most shareable? Too often advertisers get carried away with crazy spends and production overkill, where simple storytelling often wins the day." -CEO of Deutsch LA, Mike Sheldon @ 12:33 PM in the Fast Company live chat.
4. Because it works.
A recent whitepaper from online video tracking company Unruly Media titled Unruly’s Social Video Advertising Playbook suggests that taking advantage of the lead-up to the big game yield big results. The report found that for Super Bowl XLVI in 2012, 75% of the top 20 most shared ads were launched before Super Bowl Sunday, and the year’s top four most shared ads were all preceded by teasers.
Want more? Check out Fast Company’s live interactive Q & A with Loren Angelo, GM of Brand Marketing at Audi of America; Mike Sheldon, CEO of Deutsch LA; and Co.Create editor Teressa Iezzi, as they discuss Super Bowl marketing strategy with readers.
Going on right now!
[Video: Chasing Coke]
Fast Company is hosting a live chat with marketing experts right now!
Superbowl Sunday is here and the competition is tight, who will win the advertising battle royal?
Join Fast Company’s live interactive chat with experts- Loren Angelo, GM of Brand Marketing at Audi of America; Mike Sheldon, CEO of Deutsch LA; and Co.Create editor Teressa Iezzi, as they discuss Super Bowl marketing strategy with readers.
How do marketers devise their Super Bowl strategy?
What are the pros and cons of releasing teasers and original content before the actual game?
These questions and more will be addressed by our mini Super Bowl panel of experts and our editors in our live chat today at 12p.m (E.T.). And you can join in the conversation, right here.
Here are some teasers to get you even more excited for Superbowl Sunday.
For many people, the best part of the Superbowl is the commercials. Here is Taco Bell’s hilarious spot titled "Viva Young."
If this is only a taste of what is coming on Sunday, the Superbowl XLVII should be great.
Audi burns vampire culture, demonstrates headlines in Super Bowl ad. (Bonus points for using the track, “Killing Moon” by Echo and The Bunnymen in this spot.)
Groupon CEO Andrew Mason took to the web again Thursday to announce that the group-discount company will be pulling its controversial Super Bowl ads from the airwaves. In theblog post, Mason took personal responsibility for the ads and wrote that they will be replaced by “something less polarizing.”
The ads were the creation of Crispin Porter + Bogusky, the Boulder, Colorado-based ad agency that was the subject of a recent Fast Company profile. Five days after critics accused the agency’s ads of trivializing the political struggle in Tibet, Mason has decided the Super Bowl spots went too far.
"One thing is clear—our ads offended a lot of people," he wrote. (A firestorm of commentsfrom Fast Company readers about the commercial certainly confirms this fact.) “We hate that we offended people, and we’re sorry that we did it.”
Though Mason did not name Crispin Porter + Bogusky by name in the apology (he mentioned them in an earlier post), he did publicly criticize their work. “If an ad requires an explanation, that means it didn’t work,” Mason said. “Clearly the execution was off and the joke didn’t come through.”
It’s Super Bowl Ad Monday! Check out our look at eTrade’s terrifying baby.
But it was never a sure thing that the eTrade baby would mature into such a phenomenon. In fact, when the idea was first born, the agency behind the spot, Grey New York, wasn’t sure whether it had struck gold, or produced an ad no more appealing than one of its animated baby’s dirty diapers.
"When we first created the baby, we had no idea if it was the dumbest thing we’d ever done or if it was genius," says Tor Myhren, chief creative officer at Grey. "I was terrified."
But when the spot debuted during the Patriots-Giants championship, Myhren says it was “impossible not to know” that it was a big hit. Soon, it was one of the most talked-about ads at the water cooler, and had racked up millions of hits on YouTube.