The Pixar lamp, come to life.
My model of management is the Beatles. The reason I say that is because each of the key people in the Beatles kept the others from going off in the directions of their bad tendencies.
They sort of kept each other in check. And then when they split up, they never did anything as good. It was the chemistry of a small group of people, and that chemistry was greater than the sum of the parts. And so John kept Paul from being a teenybopper and Paul kept John from drifting out into the cosmos, and it was magic. And George, in the end, I think provided a tremendous amount of soul to the group. I don’t know what Ringo did.
That’s the chemistry [at Pixar] between Ed [Catmull] and John [Lasseter] and myself. It’s worked pretty doggone well. We talk about things a lot, and sometimes one of us will want to do something that’s really stupid, or maybe not stupid but … oh, I don’t know … maybe not the wisest thing in the long run for the studio. And, you know, at least one of the other two will say, ‘Hey, you know, I think there’s a better way to do that.’ So we’ll all slow down and think it through, and we usually come up with a much better way.”
"I had covered Jobs for Fortune and The Wall Street Journal since 1985, but I didn’t come to fully appreciate the importance of these “lost” years until after his death last fall. Rummaging through the storage shed, I discovered some three dozen tapes holding recordings of extended interviews—some lasting as long as three hours—that I’d conducted with him periodically over the past 25 years. (Snippets are scattered throughout this story.) Many I had never replayed—a couple hadn’t even been transcribed before now. Some were interrupted by his kids bolting into the kitchen as we talked. During others, he would hit the pause button himself before saying something he feared might come back to bite him. Listening to them again with the benefit of hindsight, the ones that took place during that interregnum jump out as especially enlightening.”
The iconic faces of Pixar reduced to their essence in simple, tender logos
Enrico Casarosa, writer and director of the Oscar-nominated Pixar short, La Luna, sifts through the Studio Ghibli archives to discuss how Hiyao Miyazaki has influenced him.
The Numberlys: With New iPad App, Ex-Pixar Designer Unleashes A Masterpiece
Moonbot Studios, which astounded us with “The Fantastic Flying Books of Morris Lessmore,” avoids the sophomore slump with its latest story-app.
Oren Jacob, the former chief technical officer of Pixar, provides a rare glimpse into company culture.
“We don’t actually finish our films, we release them.”
Read more about Pixar’s creative process when you click through!