Bee hives are a little terrifying. Colonies have 20,000 to 60,000 bees, all of whom beat their wings 200 times per second. It’s amazing, then, that videographer-photographer Michael Sutton, was only stung three times while shooting his high-speed short, Apis Mellifera: Honey Bee.
Industrial sander? Check. Household objects? Yup. Time-lapse GIFs? Indeed.
How else can you illustrate what a 17-story drop, followed by a five-story drop feels like in a little raft?
Using an unusual landscape camera in a way that wasn’t intended, Jay Mark Johnson produces photographs like you’ve never seen before.
Urban sprawl is the type of thing you tend to forget about if you’re living in it, except maybe when you’re stuck in traffic inching home after work. But it does a lot more than cause road rage: Sprawl also makes us fatter, sicker, and poorer, and it’s the source of half of the country’s household carbon footprint. In a series of photos taken over seven years, now published in a new book called Ciphers, photographer Christoph Gielen shows a different perspective on sprawl, intended to get more people to question typical patterns of development.
Getty Images is giving fans another view of the tournament through panoramic, 360-degree shots of the stadiums, locker rooms and more.
Harnessing content created by the user is not just an affordable marketing strategy; it’s also pretty powerful stuff.
The 2014 Astronomy Photographer of the Year competition has just released its cosmically awesome shortlisted entries. Capturing scenes across the solar system, galaxy, and beyond, the images are spectacular reminders that we’re all living on a “mote of dust suspended in a sunbeam,” as astronomer Carl Sagan famously put it in “Pale Blue Dot.”
The largest hole in Europe is an open-pit coal mine in Germany, and everything inside is just enormous, including machines that are the length of two soccer fields and the height of a 30-story building.
“From above, the scenery with these huge ‘monsters’ in this strange mining surroundings, reminded me of another barren planet out of a science fiction movie.”
Wildlife photographer Chris Weston sacrificed his GoPro camera to a giant, scary-ass grizzly bear, and the result is somewhat terrifying. In the aptly named “Grizzly Bear Attempts to Eat GoPro” a big grizzly with big grizzly claws gnaws on a GoPro. Once he gets the camera in his mouth, we get a glimpse of what it might be like to get eaten by a bear, sharp teeth and all.
"We live in sad times when material things, expensive or not, have become more important then our own lives," the photographer says. "I started feeling the need to capture that exact moment—the moment of the impact. I wanted to do it ironically, and play down the seriousness. I enjoy the idea of people becoming victims of their own obsessive and compulsive neurosis, but there had to be a comical side to tragedy. If laughter leads to only one moment of thoughtfulness I will have accomplished my mission."