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Quotacle lets users search through over 250,000 lines of dialogue from 143 movies.
Everybody knows what the first and second rules of Fight Club are. Ditto the identity of Luke’s father. Sometimes, however, a bit of dialogue drops from someone’s lips and just hangs there in your ear canal, undiagnosed. Neither the title of the film nor the context in which this line was uttered break through the clatter of your overwhelmed modern-day brain. Googling might’ve helped, but it also might not have. Instead, this is a job for the movie quote search engine—a thing that now exists.
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Quotacle lets users search through over 250,000 lines of dialogue from 143 movies.

Everybody knows what the first and second rules of Fight Club are. Ditto the identity of Luke’s father. Sometimes, however, a bit of dialogue drops from someone’s lips and just hangs there in your ear canal, undiagnosed. Neither the title of the film nor the context in which this line was uttered break through the clatter of your overwhelmed modern-day brain. Googling might’ve helped, but it also might not have. Instead, this is a job for the movie quote search engine—a thing that now exists.

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The Federal Aviation Administration may still be figuring out how to politely negotiate with commercial drones in the airspace, but goateed metalhead Johnny Dronehunter doesn’t wait for rules, man. Nah. He’d prefer to shoot down drones with a giant silencer he’s selling for gun accessory company SilencerCo.
Note: He is also a Defender of Privacy.
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The Federal Aviation Administration may still be figuring out how to politely negotiate with commercial drones in the airspace, but goateed metalhead Johnny Dronehunter doesn’t wait for rules, man. Nah. He’d prefer to shoot down drones with a giant silencer he’s selling for gun accessory company SilencerCo.

Note: He is also a Defender of Privacy.

Read More>

When you make a B movie, it’s best not to question the plot—no matter how ridiculous it is, advises Anthony C. Ferrante, the director of Sharknado, which debuted on Syfy last summer. “It bogs you down if you worry about that stuff,” Ferrante says, musing, “A sharknado can do whatever we tell it to do. It can tear through cars. It can go into the subway. And it doesn’t have to have a reason for anything. That’s the beauty of it. And once you accept it for what it is creatively as a director, you’re liberated because you’re not going, ‘Sharks in a tornado can’t really come into the city and do this!’” 
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When you make a B movie, it’s best not to question the plot—no matter how ridiculous it is, advises Anthony C. Ferrante, the director of Sharknado, which debuted on Syfy last summer. “It bogs you down if you worry about that stuff,” Ferrante says, musing, “A sharknado can do whatever we tell it to do. It can tear through cars. It can go into the subway. And it doesn’t have to have a reason for anything. That’s the beauty of it. And once you accept it for what it is creatively as a director, you’re liberated because you’re not going, ‘Sharks in a tornado can’t really come into the city and do this!’” 

Read More>