The series of hilarious Vines is as clearly labeled as it is random: We see six-second clips of Gosling doing his thing in various roles as a slowly encroaching spoonful of cereal tries, unsuccessfully, to make its way into his mouth. Watch.
“In my experience, what’s true as a woman is very different from some of the more cliched ways we’ve represented women over the years. I want to tell a more complex story. I want to tell a more empowered story, a more joyful story, a more sexy story …
There’s an opportunity to create a new way of looking at women in the culture, and that’s by example.” -Connie Britton, No. 13 on our list of Most Creative People in business
Recognize these photos? If you’ve seen Star Wars, you probably do.
This the abandoned set of Tatooine, Luke Skywalker’s home planet. A photographer accidentally stumbled upon the set, which sits in Tunisia. It sits in perfect stillness, at the crest of the Sahara Desert, eaten away by dust and sand.
With a pink, glowing pyramid on center stage dubbed the Dream Object, the show began with an ethereal future-voice greeting the audience with “You have made it to the other side”. As a group of flying mini-drone machines started a riveting choreographed lighted dance the voice continued, “You need not fear the great unknown anymore. Soon all will be revealed.”
While the space lady literally meant the year’s chosen directors were to be revealed, the body of work selected by Saatchi & Saatchi’s global creatives tells a story about the brave new world that modern upstart directors face, one where invention and proactive creativity prevails.
Syria: Songs of Defiance, a new film about the violence in Syria airing on Al Jazeera, was filmed by an undercover journalist using an iPhone, letting him get shots the Syrian government won’t allow regular TV journalists.
I got a chance to talk to two amazing filmmakers, Morgan Spurlock (Super Size Me, The Greatest Movie Ever Sold, 30 Days) and Richard Linklater (Waking Life, A Scanner Darkly, Dazed and Confused) about how they’re making films and television shows in a digital age.
“We have a much bigger stake in ownership with these kind of programs,” Morgan told me. Digital distribution is giving the creators a bigger stake in their own work.
One of the most talked-about—and harrowing—Sundance films wasn’t a film in the traditional sense. Hunger In L.A., which screened at the New Frontier Pavilion, is an interactive experience that puts participants in the middle of a shocking food line incident. Its creator, journalist-turned-documentarian Nonny de la Peña talks about the making of the project and its potential impact beyond Sundance.
Toronto director Jamie Travis was one of the breakout stars of Sundance this year—his ribald For A Good Time Call was picked up by Focus Features. Travis talks about his path to, and from, Sundance.
Written by Lauren Miller (wife of Seth Rogen) and Katie Anne Naylon, and starring Miller, Ari Graynor, and Justin Long, For A Good Time, Call… is the story of two longtime enemies who, through economic circumstances and the influence of a shared gay BFF (Long), become unlikely roommates and start a successful phone-sex business. The semi-autobiographical crowd-pleaser (it draws heavily on Naylon’s experiences) drew belly laughs and blushes in equal measure from Sundance audiences, and was picked up by Focus Features for $2 million, one of the fest’s largest deals.
Star Wars Uncut is a Frankensteined love letter of absurdities—and that’s just how mastermind Casey Pugh wanted it. Warning—once you start, you can’t stop watching. Co.Create got a behind-the-scenes look at how the ultimate crowdsourced film was produced.