"In a way, to let Walter White go I need to change the equation again and go into an area I’m not comfortable in." —Breaking Bad’s Bryan Cranston has a plan for putting Walter White to bed.
"In my experience, what’s true as a woman is very different from some of the more cliched ways we’ve represented women over the years. I want to tell a more complex story. I want to tell a more empowered story, a more joyful story, a more sexy story …
There’s an opportunity to create a new way of looking at women in the culture, and that’s by example.” -Connie Britton, No. 13 on our list of Most Creative People in business
17-year-old Jennie Lamere created Twivo which allows Twitter users to block certain words from their feed to prevent spoilers.
Recognize these photos? If you’ve seen Star Wars, you probably do.
This the abandoned set of Tatooine, Luke Skywalker’s home planet. A photographer accidentally stumbled upon the set, which sits in Tunisia. It sits in perfect stillness, at the crest of the Sahara Desert, eaten away by dust and sand.
Glaring Lack Of Zombies in “Downton Abbey” Rectified
1. Pig Newton (Louis C.K.)
7. Cameron Pace Group
8. Stereo D
9. Nimble TV
Want to know why? Check out the full article.
How Ron Swanson became Ron Swanson.
My first meeting with Mike Schur, one of the two creators, about Ron Swanson, we almost opened the meeting by saying, “Well, this guy has a kickass mustache.” And I don’t usually wear a mustache. I think Mike had once seen me at an audition forThe Office with a mustache, so that was where we started.
There was a side of my demeanor—I’m not always stoic and expressionless like Ron, but sometimes I am. So I think Mike took that plainspoken, no-bullshit side of me, and liked that color a lot. They found it incredibly hilarious that someone would have a wood shop and make things out of wood for fun so they laced that into the character.
Boardwalk Empire’s Terence Winter on the surprising effect of truth in television.
He says that killing one of his key and most popular characters was “the hardest decision I’ve had to make in my career.” But he did it because he feels he owes audiences a truthful show. “First and foremost you want to be truthful as a storyteller. So I said if we are going to tell this story truthfully and not as a ‘TV show,’ then he has to die. Even though it was very inconvenient for me as a showrunner, I felt I had a duty to be real so I had to do it. Anything less would feel phony. ” In fact, just before Nucky shoots Jimmy in last season’s finale, they have this exchange:
Comedy Hack Day, a 36-hour hackathon where participants from both the comedy and tech communities worked together to create some future funny business, appears to have been a crapload of fun.
The big winner of the event is ShoutRoulette, which connects opinionated users to other people with the exact opposite opinion, allowing them to shout at each other. Each member wins a class at the Upright Citizens Brigade Theatre, and entry into the New York Tech Meetup. Other winners include the McKayla Is Not Impressed Chrome Extension (a meme generator), and Spacebar to Money Shot (um, don’t ask.) Even ScatRoulette wins something: The Chris Gethard Memorial Award, which consists of a hug from the judge that goes on for an exceedingly long period.
Consider the plight of an aging pioneer in the golden age of gangsta rap. It’s not so different than that of a dotcom era startup entrepreneur like Marc Andreessen, who went from cofounding seminal web browser Netscape to funding the next generation of tech entrepreneurs via his Silicon Valley venture capital powerhouse Andreessen Horowitz. Or Elon Musk, who made his millions as cofounder of PayPal and now builds Tesla electric cars and spaceships. Snoop’s 40. He has a couple of options. He could become a permanently faded parody of his younger weed-smoking self. Or he could change strategy without changing his vision. He could acknowledge his hardcore, street life-focused past while embracing a more universal aspect of his personality. He’s found that in his reggae music pivot, he says.
“There are definitely fictional families that I’ve almost felt like a part of,” says Kirk Demarais, the artist responsible for a series of portraits of fictitious families plucked from pop culture. “The Brady Bunch is first to come to mind. Thanks to endless repeats of those 117 episodes, my brain was practically fooled into thinking I was growing up alongside Greg Brady and the gang.”
“My studio’s always in my house. I want to wake up and be like, ‘You know I’m gonna make music today in my underwear. You know what I’m gonna be in my pajamas. You know what, I’m actually just gonna stay inside for the next three days so I can make music.’”
The iconic faces of Pixar reduced to their essence in simple, tender logos
Looking for something to watch this weekend?
Martin Scorsese’s Filme School: THE 85 FILMS YOU NEED TO SEE TO KNOW ANYTHING ABOUT FILM
“My reaction [to the prequels] is a certain degree of weary contempt,” says Moore. “It’s gone beyond anger. It’s almost tragically comical. It’s commerce over art. I’m proud of the work I did on Watchmen, but it’s surrounded by such a toxic cloud of memories. I wish I didn’t have to go through them. I don’t even have a copy of the book in the house.”