With an estimated 2.3 million Americans behind bars, the U.S. incarcerates a larger percentage of its population than any other nation on Earth. As a result, one out of every 28 children grows up with a parent in jail—an average of one child per classroom.
Q: One of your most memorable scenes had Skyler getting up from dinner with Walter, Hank, and Marie and walking into the swimming pool. What was it like for you to shoot that scene? Can you swim?
A: I’m a decent swimmer, thank God, but I never thought I’d be able to do that kind of thing, because it required me having to be trained with scuba equipment, with a regulator. Going under the water and staying under the water for periods of time gives me claustrophobia.
But I also like a good challenge. The boys always got to do a lot of stunts on the show. So when I got to do something that was stuntlike, I thought, okay good. Now I finally get to do something.
It was hard to tell from the shot, but I actually had to walk into the pool, and then there was a cut after I walk down into the water. Our wonderful special effects people and our stunt people had to build a wire cage, and they rigged that blue skirt I was wearing onto the wire cage so that the effect of the skirt billowing around my head was created.
They placed that wire cage in the deep end of the pool. That’s why they had to train me to go underwater and breathe with a regulator.
3. The Pixar Theory John Lasseter, Disney’s chief creative officer, recently told me while I was reporting an upcoming story that mixing characters from different Pixar movies has always been taboo. And after reading Jon Negroni’s “Pixar Theory,” I finally understand why: Putting Pixar characters together would make it far too obvious that all the studio’s movies are actually part of the same story—beginning with the witch in Brave experimenting with giving animals the ability to speak. I can’t believe we didn’t see this before.
The Halo series will, of course, proceed without Mattrick, but given that Mattrick’s close relationship with Spielberg was key in signing the deal, one has to wonder whether new snags might arise now that he’s gone.
"I think it validates the model in a lot of ways. I think it also blurs the line forever about what is television. Television is what’s on the screen, no matter what size the screen or how the content got to the screen. Television is television is television."
—Netflix’s chief content officer Ted Sarandos talks about the Emmy nominations for Netflix shows: House of Cards, Arrested Development, andHemlock Grove.