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For flowers that are so naturally elegant, domestic orchids are seriously design-challenged. Not the blooms themselves, of course—it’s that unsightly but ubiquitous stick-and-teensy-hair-clip combo that keeps the stems standing tall.
Yeonju Yang, half of London-based studio Yang:Ripol, had been regularly tending to these particular blossoms for almost five years before reaching a kind of creative epiphany.
“It’s funny how sometimes things stare at you in the face for so long until the designer mind clicks in and you realize—here is actually a problem which needs resolving,” he tells Co.Design.

fastcodesign:

For flowers that are so naturally elegant, domestic orchids are seriously design-challenged. Not the blooms themselves, of course—it’s that unsightly but ubiquitous stick-and-teensy-hair-clip combo that keeps the stems standing tall.

Yeonju Yang, half of London-based studio Yang:Ripol, had been regularly tending to these particular blossoms for almost five years before reaching a kind of creative epiphany.

“It’s funny how sometimes things stare at you in the face for so long until the designer mind clicks in and you realize—here is actually a problem which needs resolving,” he tells Co.Design.

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We had an amazing time at last night’s Innovation By Design Awards event! Thanks to everyone who celebrated with us. Here’s the list of winners.

Above: Continuum Innovation CEO Harry West (Continuum won the Concepts award for the Leveraged Freedom Chair),  Fast Company Executive Editor Noah Robischon and Fast Company Senior Writer Ellen McGirt, Creative Director at Billionaire Boys Club & Ice Cream LLC Christopher Bevans, Fast Company CTO Matt Mankins and Fast Company Designer Claire Eckstrom, Cooper-Hewitt Curatorial Director Cara McCarty and  Facebook Director of Product Design Margaret Stewart, Moonbot Studios’ Brandon Oldenburg and William Joyce (finalists in the Interactive Design category), Fjord’s Nour Diab Yunes.

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Who among us hasn’t, at one point or another, hunkered down inside and stared out through a crystal-clear pane, letting the mind wander and daydreams flutter through and stay a while? 
Seoul-born, Stockholm-based designer Mars HwaSung Yoo used imagination and memories as the starting point for a new chair he was working on, which led him to the idea of ancient window forms. 
“They have a sense of place, invite us to sit, and play a variety of roles in their long history as architectural elements,” Yoo tells Co.Design. “After I had the concept, all parts of the window had to be redefined to support the function of a chair; it didn’t have to be an exact replica.” Instead, he focused on bringing this aged craft into the present with a handmade aesthetic.

fastcodesign:

Who among us hasn’t, at one point or another, hunkered down inside and stared out through a crystal-clear pane, letting the mind wander and daydreams flutter through and stay a while?

Seoul-born, Stockholm-based designer Mars HwaSung Yoo used imagination and memories as the starting point for a new chair he was working on, which led him to the idea of ancient window forms.

“They have a sense of place, invite us to sit, and play a variety of roles in their long history as architectural elements,” Yoo tells Co.Design. “After I had the concept, all parts of the window had to be redefined to support the function of a chair; it didn’t have to be an exact replica.” Instead, he focused on bringing this aged craft into the present with a handmade aesthetic.