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Here are some excerpts from the April issue cover story"Sarah Silverman, Michael Cera, Ben Stiller, And The Rebels Saving Hollywood"
Determined not to repeat the mistakes of the music business, a cadre of digital pioneers is rebooting the entertainment industry.

"These pioneers seem to have learned from the mistakes of the music and newspaper businesses, which have been decimated by technological change. Rather than be reactionary and afraid, the New Hollywood crowd is proactive and creative. They’re rethinking their business and adopting some of the tech world’s culture, attitudes, and practices.  



"While its financial bets are iffy, there’s no question that Hollywood culture is, in fact, changing—and fast. It’s something that’s forced on the industry as the line between digital and traditional content blurs more and more. When you combine web series such as H+, an apocalyptic sci-fi tale produced by X-Men director Bryan Singer; programming likeHouse of Cards and Battleground from Netflix and Hulu, respectively; and all the professional programming on YouTube’s Original Channels, you get a redefinition of what Hollywood content can look like and how it’s made.”

Here is the full story.
And here are a few more stories from our Digital Hollywood series:
The Secret (Tech) Life of Ben Stiller
The Innovators of Hollywood

Here are some excerpts from the April issue cover story"Sarah Silverman, Michael Cera, Ben Stiller, And The Rebels Saving Hollywood"

Determined not to repeat the mistakes of the music business, a cadre of digital pioneers is rebooting the entertainment industry.

"These pioneers seem to have learned from the mistakes of the music and newspaper businesses, which have been decimated by technological change. Rather than be reactionary and afraid, the New Hollywood crowd is proactive and creative. They’re rethinking their business and adopting some of the tech world’s culture, attitudes, and practices.  


"While its financial bets are iffy, there’s no question that Hollywood culture is, in fact, changing—and fast. It’s something that’s forced on the industry as the line between digital and traditional content blurs more and more. When you combine web series such as H+, an apocalyptic sci-fi tale produced by X-Men director Bryan Singer; programming likeHouse of Cards and Battleground from Netflix and Hulu, respectively; and all the professional programming on YouTube’s Original Channels, you get a redefinition of what Hollywood content can look like and how it’s made.”

Here is the full story.

And here are a few more stories from our Digital Hollywood series:



Iran has been airing its views on Argo's win at the Oscars last night. The movie tells the story of how the CIA used Hollywood to get six U.S. embassy workers out of the country during the hostage crisis of 1979.

"Argo is a movie against Iran," said the Asriran website. Asiran also claimed that the regime’s Culture Minister had been directly responsible for Iranian movie A Separation winning Best Foreign Film in 2012. The minister, Javad Shamghadri, claimed that his department had lobbied hard for the Iranian drama to win.

As well as the content of the movie, there was criticism of Michelle Obama’s role in announcing the winner. “In a rare occasion in Oscar history, the First Lady announced the winner for Best Picture for the anti-Iran film Argo, which is produced by the Zionist company Warner Bros,” said Fars News.

Ben Affleck’s acceptance speech did not escape censure, either. “After distorting history, Ben Affleck continues to show a bleak picture of Iran,” said Mehr News. “Iranians live in terrible circumstances.”